Audrey Schulman, House Named Brazil, literature, literary, book groups, reading groups, fiction, adventure, heroine, strong female character

A House Named Brazil

 


Blurbs

Absurd charms, entrancing characters and sumptuous language

Publishers Weekly

An enchanting journey through the century, filled with a veritable circus of yarns

Kirkus

Reminiscent of both Joyce Carol Oates and Alice Hoffman

Boston Sunday Globe

A tapestry of magical realism

Boston Tab

Bizarre yet intriguing quilt... More than enough to keep the reader turning pages... Schulman's language is lovely

USA Today

Intricately plotted, far-flung and surreal...immense scope and ambition... effortlessly unfurling force of a dream... The novel's pleasure lies in its atmosphere of dreamlike dislocation... A visceral, often bittersweet testimony of what it means to grow up too fast for your own good... Compelling and sad...

Newsday

Hyperbole, hysteria, humor... An original but odd hybrid of tall tales and wild stories...

The Seattle Times


 

Cover for A HOUSE NAMED BRAZIL

Description

When the phone rings at precisely six o'clock one evening, it shatters the silence of the farmhouse where Fran has lived alone since her mother abandoned her at age fourteen.

She recognizes the voice on the line immediately. Though it has been four years since she left, Fran's mother offers no apologies or explanations. She is calling to tell Fran the family stories. And though Fran longs to hang up on her, she can't help but be drawn in by the strange and wonderful tales her mother has to tell.

Over the course of several weeks, in her nightly phone calls, Fran's mother unfolds the amazing history of their large and colorful family: tales of saints and murderers; world-renowned pickpockets and fabulously talented bakers; bitter rivalries and unconditional loves; adventures across continents, tragedies and transcendence.

What Fran urgently seeks is an explanation for her mother's abandonment, but all she gets are tall tales of a family exodus from a desolate Canadian farm to a new home in the Florida swamplands. In the sprawling house named "Brazil," there is more than enough room for every larger-than-life member of this family --and all the noise, heat and passion they generate.

 

Excerpt

 

The time is the 1890s. Celia, at the age of 14, has just escaped from her siblings who tried to kill her.

 

            Celia settled down 3 towns away from the house where her siblings still lived. She worked as a waitress while she thought about what it was she had been promised. The promise became more evident each day for by the time she was 15 her chest had developed so much she had to assume the habit of keeping both hands on the small of her back or on her hips to offset some of the weight, and her face was so luminous that even little children sucked in their breath. But in the whole of the town where she lived, not a man would touch her, because --as well as her beauty-- her spirit and muscles had developed from the time when she was simply the bully of children. For waitressing is no easy job. Her new muscles were how, as a 15-year-old, she had beaten with 1 fist the first man who had tried for her.

            She had not fought him because she thought that was what she was supposed to do. She had not fought him because he was 20 years older and drunk. She fought him because he simply grabbed a handful of her body without any warning or permission as she passed his table. Her reaction was immediate and strong. In front of the entire restaurant, she twisted her upper body away from him --so for an instant he probably assumed she was pulling away in fear-- and, then she swiveled back out of her wind-up into a straight-armed backhanded swing with her whole body behind it. She hit him so hard his head shot backwards like a puck and the rest of his body tumbled leisurely after it to hit the floor heavy and limp. Celia and another waitress dragged him out to the sobering cold of the snow and thought no more of it.

            Unfortunately, from then on the townsmen thought about nothing else. They thought it unnatural. They thought it terrifying. It became more scary and vivid in their minds and in their talk. Before the end of the second month it was accepted as common fact that Celia and the other waitress had not dragged him outside at all. No, instead that was where the slap had landed him, clear through the door and down the front steps. From that day on, the men in town did not dare do anything but sit around in the restaurant where Celia worked and watch her body forlornly. Not a man among them ever again raised a hand to touch her, especially as the years passed and the legend of her fighting exploits grew with her figure, to the point where most believed that she had actually been a pro-fighter who toured with the circus for a while, that she had beaten in a fair brawl the entire Ottawa Whalers hockey team. The legend and myths building each year without any man flirting with her, much less touching her, for those years when she was 17 and 18 and 19. In frustration 1 day, she actually pushed 1 of the younger men in town into the backroom of the restaurant and stripped herself slowly and with ceremony in front of him until he was presented with such luscious curvature of flesh that every ounce of his body became as limp and useless as a wet rag and he cried.

            Instead the town's men seemed content to own her through talk and to caress her with their stares as she flowered before their eyes into a 20-year-old whose beauty made even old women touch their cheeks and remember.

            Thus, Celia was forced to apply for a mail-order husband. She required this husband be from the States as she thought they might build them better down there. In 1894, she left on the day of her twenty-first birthday, leaving by boat on the Ottawa River, a boat bound for New York City, and was seen off by all the men in town who went down to the harbor only to look at her, but nothing more.

 


 

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